The Louvre's Paintings Department holds a singular place in the museum: aside from a handful of pieces, it shows only works created before 1848, tracing European painting from the thirteenth to the nineteenth century. Extime Travel guides you through its history and its most unforgettable masterpieces, room after room.
François I began gathering works of art to build a royal collection. It is thanks to him that the Kingdom of France acquired the legendary and mysterious portrait of the Mona Lisa. The Louvre opened its doors toward the end of the French Revolution, in 1793. The paintings brought there are shown mainly in the Grande Galerie and the Cour Carrée. The collection's focus on works prior to 1848 dates from the twentieth century: in 1986, it was decided that more modern paintings would be displayed at the nearby Musée d'Orsay. This careful division gave each museum its own identity and helped visitors find their way through centuries of art.
To admire some of the world's finest paintings at the Louvre, head to the first floor of the Denon Wing and the second floor of the Richelieu and Sully wings. The Grande Galerie is one of the best-known rooms and should not be missed. Nearly 1,510 feet long and around 43 feet wide, this majestic gallery leads into Room 6, where the Mona Lisa hangs. As you walk through it, the palace's royal past is easy to imagine.
Painted between 1818 and 1819, The Raft of the Medusa is essential viewing on any visit to the Louvre. This vast canvas measures roughly 16 feet tall and 23.6 feet wide. The work of the Romantic painter Théodore Géricault, it is celebrated for a composition that gives a deeply emotional account of a real shipwreck.
Liberty Leading the People was transferred to the Louvre in 1874. One of the most famous works by Eugène Delacroix, it is an allegory often chosen to represent the French Republic. Its monumental scale, around 8.5 by 10.7 feet, conveys to the viewer the weight of the events it depicts. The Musée National Eugène Delacroix, in Saint-Germain-des-Prés, can also be visited with a Louvre entry ticket.
The theme of cheating was popularized by Caravaggio in the sixteenth century. At the time, depicting ordinary people was something of a novelty. The composition shows figures turned three-quarters toward the viewer, as if to reveal the deception. The Cheat with the Ace of Diamonds, by Georges de La Tour, fits this tradition perfectly.
When Alexander the Great entered Babylon, Darius III of Persia fled his people and his palaces. Triumphant, Alexander discovered a sumptuous city, far grander than the Greeks had imagined. Behind the figure of Alexander, standing in glory upon his golden chariot, one can make out the Hanging Gardens, one of the Seven Wonders of the Ancient World. Painted by Charles Le Brun in the age of Louis XIV, the work is also known as the Triumph of Alexander.