Archaeological digs have shown traces of hunter-gatherers in the area long before Paris took shape. The site quickly became central to the capital's growth. King Philippe-Auguste (1165-1223) erected a fortress here, with a keep and a square enclosure, intended to reinforce the city wall. The original ditches are still visible inside the Carrousel du Louvre.
Between 1364 and 1380, Charles V (1338-1380) commissioned a transformation of the Louvre, with the architect Raymond du Temple. The military fort gave way to a more comfortable residence, with apartments, leisure spaces and a royal library that would later become the Bibliothèque nationale de France. Wars, including the Hundred Years' War, eventually pushed nobility toward the Loire châteaux, leaving the Louvre behind.
François I (1494-1547), the king of the Renaissance, demolished and rebuilt the palace begun by Charles V. New reception spaces were created to embody royal power. Catherine de Medici (1519-1589) had the Tuileries Palace built nearby, while Henri IV (1553-1610) added a long gallery linking the Louvre to the Tuileries. Modernization continued under Louis XIV, who entrusted André Le Nôtre with the gardens before moving on to Versailles.
While the court resided at Versailles, the palace welcomed artists, intellectuals and noblemen. They suggested turning the building into a museum, an idea Louis XVI embraced. The French Revolution accelerated the project, and the Grand Gallery opened to the public, displaying works from the royal collections, enriched by confiscations, military campaigns and private donations.
Under Napoleon Bonaparte (1769-1821), the museum took on new ambition with the help of its first director, Dominique-Vivant Denon (1747-1825). Charles X (1757-1836) later added a new gallery along the Rue de Rivoli and inaugurated the Greek and Egyptian Antiquities departments under the Charles X Museum. The Second Empire shaped the silhouette we recognize today, with the buildings around the Cour Napoléon.
After his election in 1981, François Mitterrand entrusted architect Ieoh Ming Pei with a major overhaul of the palace. The project gave rise to the iconic glass pyramids and to the extension of the Carrousel du Louvre, opening the museum to a wider audience. Later renovations, including the redesign of the Cour Visconti, made room for the Department of Islamic Arts.
In 2014, the museum welcomed more than 9 million visitors, three quarters of whom came from abroad — confirming the Louvre's status as one of the most visited sites in Paris.
King Philippe-Auguste (1165-1223) had the original fortress built, with a keep and a square enclosure designed to reinforce the city walls.
The opening of the Grand Gallery to the public during the French Revolution marks the beginning of the public museum, displaying the works of the royal collections.
The pyramids are the work of architect Ieoh Ming Pei, as part of the Grand Louvre project launched after the election of François Mitterrand in 1981.