Following several interventions in the early 19th century, notably under architect Étienne-Hippolyte Godde, a competition was held in 1843 for a comprehensive restoration of Notre-Dame. Jean-Baptiste Lassus and Eugène Viollet-le-Duc won the competition and were appointed to oversee the project in 1844.
After Lassus died in 1857, Viollet-le-Duc continued the restoration on his own. The main restoration campaign lasted around twenty years and was completed in 1864.
The restoration played a crucial role in preserving Notre-Dame. It also reflected Viollet-le-Duc's distinctive approach to restoring medieval monuments. Rather than simply preserving buildings in their existing condition, the architect sometimes sought to recreate what he regarded as their ideal architectural coherence.
Some of his choices, including the reconstruction of the spire and the restoration of numerous sculptural elements, consequently became the subject of debate about how historic monuments should be restored.
Contrary to a common misconception, Viollet-le-Duc was not the first to add a spire to Notre-Dame. A medieval spire, built in the 13th century above the crossing of the transept, had been dismantled at the end of the 18th century because of its deteriorating condition.
In the 19th century, Viollet-le-Duc designed a new and more ambitious spire. Construction began in 1859, and the spire became one of the most recognisable features of the Paris skyline until it was destroyed in the fire of 15 April 2019. It has since been rebuilt to match Viollet-le-Duc's design as part of the restoration following the fire.
The campaign, first entrusted to the architect Godde, passed into his hands from 1844 and lasted twenty years.
Some reproached Viollet-le-Duc for taking liberties with the historical sources, to the point of presenting the cathedral as a monument of medieval inspiration.
Its addition was Viollet-le-Duc's own decision, inspired by the spire of Orléans, without certainty that it resembled the original spire.