A field ablaze with red, a woman with a parasol, a child at her side. With Poppies at Argenteuil, Claude Monet turns a spring afternoon into pure light. A canvas to admire before setting off for Giverny, where the painter would later make his home.
Discover Poppies at Argenteuil, painted by Claude Monet in 1873, before he settled for good in the charming village of Giverny. Here is a presentation and analysis of a work that helped carry the spirit of Impressionism across France.
When he created this painting, Claude Monet, then 33 years old, was not yet living in Giverny. He resided in Argenteuil, a town in the former Seine-et-Oise department, northwest of Paris. The area was barely urbanized and the town had a rural, bucolic character, picturesque enough to draw Parisian painters in search of settings and subjects.
This canvas, also known simply as Poppies, or Poppies, the walk, caused a stir when it was shown at the first Impressionist exhibition, which opened on April 15, 1874, and closed on May 15, 1874.
The painting was bought by Paul Durand-Ruel, an art dealer, and then passed from hand to hand. The painter Ernest Duez owned it for a time before selling it to the collector Jean-Baptiste Faure. It later entered the collection of Étienne Moreau-Nélaton, who donated it to the State in 1906. After a brief stay in the paintings department of the Louvre, it joined the collections of the Musée d'Orsay.
This oil on canvas is modest in size: about 20 inches high by 26 inches wide (50 by 65 cm).
As its name suggests, the painting shows a vast field sown mostly with poppies, especially dense on the left, along the slope of a small dyke. In the foreground, set toward the right, an elegant woman with a parasol and a straw hat is accompanied by a child. The woman is most likely Camille Doncieux, Monet's first wife, and the child may be their son Jean, who was six in 1873. In the middle ground, on the left, another woman appears, also with a child. The background shows a row of trees and a comfortable two-story house with three windows on the upper floor.
The two pairs of figures structure the painting along a diagonal. The left side is dominated by the red of the poppies, while the blue-green meadow occupies the right.
The sky is filled with white clouds, cumulus that often mark the end of a shower and the return of fair weather. Poppies, the walk, was surely painted on a fine day in spring or early summer.
You can admire Poppies at Argenteuil at the Musée d'Orsay in Paris.
At the Musée d'Orsay in Paris.
In 1873, at Argenteuil, before Monet settled in Giverny.
Most likely Camille Doncieux, Monet's first wife, and possibly their son Jean, then six years old.
Modest: about 20 inches high by 26 inches wide (50 by 65 cm).